Inheritor of the Naturalism and Impressionism he adopted the painting style of some artists like Domingo Marqués, José Benlliure Gil, Santiago Rusiñol, Ignacio Zuloaga, Pinazo, Fillol, Joaquín Sorolla… Any proposal that feeded his conviction of forming Poetry, expressed plasticaly by the luminous colour and the nature-watching.

Right through his training, his easel paintings, over all his landscapes, tied still to the Realism, Naturalism and valencian local manners. But, at the same time, we can notice little traces from the Mediterranean Impressionism.

In the 20´s, 30´s and 40´s he changed clearly and put his faith in a “Sorollisme” of plain colouring. Those compositions were made with simplicity.
In the 50´s, 60´s and 70´s, following still Sorolla, he developed to a personal style: transparences, washes, bounded textures, enveloping perspectives and chromatic complementary combinations. Free brush-strokes. The colour always in the service of the light and the aerian perspective.