Met and related, personally and artistically, with plastic artists of the previous generation and their own: the painters Antonio Fillol Granell, Salvador Abril Blasco, José Benlliure Gil, Isidoro Garnelo Fillol, Gonzalo Salvà Simbor, Vicent Pastor Savall, Alfredo Claros García, José Manaut Viglieti, Ricardo White, José Martínez Mulet, Rafael Cardells Camarlench, José Bellver Delmás, Óscar Marziali Mancinelli, Rafael Fuster Insa; the sculptors Rafael Rubio Rosell, José Mª Ponsoda Bravo, Carmelo Vicent Suria, Luis Bolinches Compañ, Virgilio Sanchis Sanchis, Federico Siurana; the altarpieces makers Tomás Calvo or José Vila Raga; and with the architect Francisco Javier Goerlich Lleó. He met to the painter and illustrator from Albaida José Segrelles Albert, with whom he had a close artistic relationship and a good friendship all his life.

But the artist with whom he had a closest relationship was the sculptor Pascual Sempere: personally, academically and professionally. They shared the training in the Saint Charles Academy and they worked together in religious sculpture and imagery orders: Sempere in the charge of sculpture, models and cutering; Remigio Soler in ornamentation, goldening, spolinate and painting. In fact they shared studio in Portal de Valldigna street in València, where he lived later.